Film in scenes

The Woman in Black (James Watkins) - Tea Party

The Stepford Wives (Bryan Forbes) - The beginning

Days of Heaven (Terrence Malick) - Bill and Abby 

“I never wanted to fall in love with you.”
“Nobody asked you to.”

Dogville (Lars von Trier) - Tom and Grace talk on the bench

“Are you trying to say that… you’re in love with me?”
“Yeah.”
“Well, that’s good. Because I think that I’m in love with you too.
“Very interesting, isn’t it?”

L’avventura (Michelangelo Antonioni) - Claudia dances to the song

The Haunting (Robert Wise) - Eleanor sees her name on the wall

“It knows my name. Why? Why should I be the one chosen?”
“Maybe something in the house finds you a kindred spirit. Maybe it thinks you have more understanding and sympathy than we do.”

Happy-Go-Lucky (Mike Leigh) - Poppy talks to the homeless man

“It’s, it’s, it’s, it’s, it’s, it’s…”
“Isn’t it just?”
“You know? You know, it’s…You know, they, they, they, they, they…”
“Do they?”
“They’re not, they’re not, they’re not, they’re not!”

Naked (Mike Leigh) - Johnny tells Brian about the future

“The present’s fine. The present’s perfect. The present’s peachy fucking creamy. The only thing wrong with the present is the bastard doesn’t exist…because the present is the future, and the future is the past…and it’s all the same fucking bag of bones anyway.”

Viridiana (Luis Bunuel) - Viridiana sleepwalks

“I’m sorry I put ashes on your bed.”
“Why? It’s no stranger than anything else. Sleepwalkers have no idea what they’re doing.”
“Ashes mean penitence…and death.”
“Penitence must be for you, the nun-to-be, and death is for this old man.

The Virgin Suicides (Sofia Coppola) - Introducing Trip

“But the only reliable boy who actually got to know Lux was Trip Fontaine, who eight months before the suicides, had emerged from baby fat to the delight of girls and mothers alike. All the girls at our school were in love with Trip. All the girls except for Lux.”